Skip to main content

My Mother

My mother has died.

That somber fact has me processing thoughts of guilt, love, and my own mortality. I am officially an orphan.

My mother was one of the “Railway Children,” those Liverpool kids sent to the countryside to escape the bombing during World War II. She and her sister were sent to Wales and were bounced from household to household, relative to relative, and finally to an orphanage.

Dad moved to Canada in 1960 to forge a better a life for us. Before my mum took my sister and I to join him, the family held an “American wake,” a mournful goodbye, as if a loved one had died. Mum left everything and everybody she ever knew to join her husband in the new world.

My mother and father worked hard to give us a good life. There were tough times, money was scarce, and there was tension between my parents. Hell, let me be honest, my father hit my mother, I saw it.

My mum was sixty when she left my dad. She just walked out with the clothes on her back. That was my mum. Tough. When she made up her mind, nothing could stop her. They didn’t divorce.  They were seperated. Crazy as it sounds, they loved each other. And then my dad died.

It took many years to heal the rift in our family. This was compounded by my own divorce and especially by my father’s death in ninety-four.

Mum was self-taught. She had an artist’s eye and was a good tailor, knitter, and pottery maker. She loved music, my mum. Mozart was her favourite. She sang in choirs and was an avid reader.

My mum lived her life to the fullest and on her own terms. She grew. She consciously set out to improve herself and her outlook. I noticed.

I moved to the states because of my domestic situation. Being estranged from the family including my own children was immensely painful. There were times I couldn’t bear the pain. I wondered if my mum felt like that.

I read in her journal that she had times of doubt, times of depression and times of regret. But she never waivered about what she wanted which was the right to live her own life.

Mum was diagnosed with cancer. She wrote how she spent her days. It was very Zen like. She put aside the pain she was experiencing to focus on the birds singing and the glorious colour of the flowers on her meager patio. She wondered what lives people lived as she watched them pass in front of her apartment on the way to work and then again on their way home in the late afternoon. Her thoughts of how to improve the look of her tiny apartment and how best to decorate with photos, were all written down in her journal, despite her pain.

The day she died, in a brief moment of lucidity, after lying non-responsive for many hours, she spoke her last words.

“I love you all so very much,” she said. And through tears, we told her how much we loved her.

My mother’s death taught me that love conquers all, natural beauty should be appreciated, and living your life on your own terms is hard but ultimately necessary if you are to be true to yourself.

My mother is dead and I am sad. I miss our long philosophical conversations.

Comments

Popular posts from this blog

ON THE CUSP OF A RADICAL PARADIGM SHIFT

It has been a long time since I last wrote in this blog. I have been busy with music projects and writing novels. In fact, I am writing my ninth novel right now and am just taking a break. I wanted to get back into keeping up with my blog but didn't want  it to become a format for political rants. Let's be frank, the political landscape is abysmal and folks have never been so divided and so entrenched in their views. I am no exception! Rather than regurgitate the dogma and doctrine of one party over the other, I am guided by the tenets I have long adhered to: democracy, equality under the law, opportunity, justice and a strong social safety net. I welcome diversity in all forms. I believe we should all be accountable and responsible for our actions. Worker's rights, women's rights, these are important to me as basic human rights. Income inequality is a huge issue. Of course, captains of industry deserve the right to have the largest piece of the pie. T

POSTURE

It is acceptable in martial arts to adopt any particular kamae, or “posture,” as an expression of one’s self in an artistic or stylistic manner provided it is a sound stratagem in and of itself or that the individual is so adept at the posture it makes her effective in a self-defence scenario.  In many cases, a particular kamae or posture signals the style of martial art the person has studied. The straight up posture, fists clenched, arms out and slightly bent, legs in a wide stance could indicate a karate practitioner. Arms up, away from the body, palms toward the opponent, might mean a Muay Thai fighter. The various forms of Kung Fu, indicating the Tiger, the Dragon or the Praying Mantis are distinguished by their exotic postures, and so on. How we present ourselves in daily life and in a non-martial context gives people hints about ourselves. Whatever way we present ourselves can be considered our kamae, our posture.  This begs the questions, just how does the world perc

AESTHETIC DISTANCE

I love films. I have always loved films. In high school during the very early seventies, I was able to take a film arts course along with English courses, media and communications. I loved it. Film is art. The famous MGM logo with the lion’s roar that prefaces so many famous movies incorporates the Latin, “ARS GRATIA ARTIS” which means “art for art’s sake,” and was designed in 1916 by Howard Dietz. The saying is credited to the 19th century French philosopher, Victor Cousin and was written as “l’art pour l’art.” One of the basic lessons I learned in film arts was the concept of aesthetic distance.  This concept originally applied to literature refers to the gap between the readers, or as in the case of film, the viewer’s conscious reality and the fictional reality constructed by an author of a book or the director of the film.  Of course, in film there are so many more variables to be considered, actor’s craft, lighting, cinematography, music et cetera.